A letter written in slightly rushed copperplate handwriting. An archivist has marked the top right corner 'MED/16/1/6'. Faint lines are visible where the page has been folded. It reads: 'Sir Lucas Pepys has the Honor to inform His Royal Highness the Prince of Wales that His Majesty was all yesterday evening in a Goodnatured deranged state talking as he Used to do at Windsor & on the same subjects, that he has had a very Indifferent night with only 3 hours & a Half's sleep - that this Morning he is nearly in the same state he was in the evening, but is more agitated & confused, perhaps from having been permitted to read King Lear, which he is now Reading & talking about. - Kew House. Friday 11 o'clock - December 18th 1788.'
Image: A letter written in slightly rushed copperplate handwriting. An archivist has marked the top right corner 'MED/16/1/6'. Faint lines are visible where the page has been folded. It reads: 'Sir Lucas Pepys has the Honor to inform His Royal Highness the Prince of Wales that His Majesty was all yesterday evening in a Goodnatured deranged state talking as he Used to do at Windsor & on the same subjects, that he has had a very Indifferent night with only 3 hours & a Half's sleep - that this Morning he is nearly in the same state he was in the evening, but is more agitated & confused, perhaps from having been permitted to read King Lear, which he is now Reading & talking about. - Kew House. Friday 11 o'clock - December 18th 1788.'

During George III's first serious bout of mental illness, one of his doctors writes to the Prince of Wales informing him that the king is distracted and animated, perhaps ‘as a result of having been permitted to read King Lear.’

This incident caused a disagreement between the doctors about who had permitted the king to have access to such an upsetting text, and became a well-known story after the doctors’ grievances were aired in Parliament.

In testimony to the House of Commons, it transpired that when the king asked for a copy of King Lear his doctors refused to provide one, fearing the psychological impact it would have.

Instead, George got hold of a volume of plays by the contemporary dramatist George Colman, which contained - unbeknown to his doctors - an adaptation of King Lear. Colman's version followed an earlier seventeenth-century adaptation by Nahum Tate in giving the play a happy ending.

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