A watercolour of a street scene in medieval London. Garlands and flags hang from the buildings, and crowds are gathered on balconies on both sides of the frame. A row of soldiers in metal plate armour restrain further crowds in the street. Two men on horseback are travelling from right to left. In the lead, a bearded man in a yellow jacket (Bolingbroke) rides a white horse and opens his arms to the spectators. Some distance behind him, a man in a crown an a red cloak with an ermine collar (King Richard II) sits on a brown horse, head bowed. Both horses are led by figures on foot. In the foreground,  a man in brown clothing points at Bolingbroke, mouth open as if shouting.
Image: A watercolour of a street scene in medieval London. Garlands and flags hang from the buildings, and crowds are gathered on balconies on both sides of the frame. A row of soldiers in metal plate armour restrain further crowds in the street. Two men on horseback are travelling from right to left. In the lead, a bearded man in a yellow jacket (Bolingbroke) rides a white horse and opens his arms to the spectators. Some distance behind him, a man in a crown an a red cloak with an ermine collar (King Richard II) sits on a brown horse, head bowed. Both horses are led by figures on foot. In the foreground, a man in brown clothing points at Bolingbroke, mouth open as if shouting.

In 1857, a 'Historical Episode' was added to Charles Kean's production of Richard II. The production made a strong impression on the royal family.

Kean's scenic designer, Thomas Grieve, made this concept drawing for the 'Historical Episode', which took place between the third and fourth acts and featured over four hundred extras. Grieve and Kean imagine medieval London via a colourful, festive street scene. Crowds of citizens gather to witness King Richard's return in the custody of his popular cousin, Henry Bolingbroke.

This image was intended to help establish stage blocking, and therefore includes both Bolingbroke and Richard. The prominent figure in the foreground may represent one of the 'voices from the crowd' who, in Kean's printed script, call out their support for Bolingbroke.

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