The pastoral landscape and romantic costume recall the world of Shakespeare's shepherdess, and Robinson's role as 'Perdita'. The miniature in her hand - at arm's length - suggests an explanation for her languid look.
The society portraitist Thomas Gainsborough undertook several commissions for George, Prince of Wales, in the 1780s. This painting was billed to him in 1784, but was quickly removed to the stores at his London residence. In 1818, George gave it to his friend, the Marquess of Hertford.