Taken from the second tree, which blew down in 1863, the bark, inscribed with graffiti, has been polished to emphasise its texture, and its status as ‘raw’ wood. It was given by Victoria to the expanding British Museum almost immediately after the tree fell down.
At once a natural and a literary artefact – the inclusion of the graffiti perhaps intended to recall Orlando’s tree-carving in As You Like It – the block places both Shakespeare and Windsor at the centre of a royal vision of national history.