A watercolour of a crowded street scene. At the centre, Bolingbroke is mounted on a white horse, wearing a gold doublet and clutching his feathered hat to his chest; he looks up to acknowledge the figures waving at him from balconies and windows. Surrounding Bolingbroke are festively-dressed citizens. On the left, a woman wears a flower garland and carries a basket of flowers. Several men have removed their hats in salutation, mimicking Bolingbroke’s gesture. A boy in blue and orange gestures expansively in welcome at the bottom centre of the frame. On the right, a bearded man points at Bolingbroke, his face turned towards his wife, who clutches his arm. A woman offers a rose to Bolingbroke. A forest of spears and halberd in the background implies that Bolingbroke rides at the head of an army. On both sides and in the background, windows are filled with spectators; on the left, a child holds a green banner labelled ‘God save Kyng Henry'. Flags and garlands hang from the buildings.
Image: A watercolour of a crowded street scene. At the centre, Bolingbroke is mounted on a white horse, wearing a gold doublet and clutching his feathered hat to his chest; he looks up to acknowledge the figures waving at him from balconies and windows. Surrounding Bolingbroke are festively-dressed citizens. On the left, a woman wears a flower garland and carries a basket of flowers. Several men have removed their hats in salutation, mimicking Bolingbroke’s gesture. A boy in blue and orange gestures expansively in welcome at the bottom centre of the frame. On the right, a bearded man points at Bolingbroke, his face turned towards his wife, who clutches his arm. A woman offers a rose to Bolingbroke. A forest of spears and halberd in the background implies that Bolingbroke rides at the head of an army. On both sides and in the background, windows are filled with spectators; on the left, a child holds a green banner labelled ‘God save Kyng Henry'. Flags and garlands hang from the buildings.

A third perspective on the 'Historical Episode' can be seen in this watercolour by Princess Victoria, the queen's eldest daughter. While Grieve and Lundgren were concerned with accurate representation of the scene as it appeared on stage, Victoria zoomed in on the heroic figure of Bolingbroke.

The princess saw this production several times at the Princess's Theatre. She created this artwork as a birthday present for her mother, the queen, who had it hung in her bedroom at Osborne House.

Comparison with other representations of the same scene shows how carefully Victoria copied Kean’s staging. She was so concerned with accuracy that she directed her drawing teacher to request a photograph of the actor, John Ryder, who played Bolingbroke, so that she could capture the precise angle of his neck and jaw.

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